ABOUT
Amateur street photographer. One compact camera. Drifting through the streets
of Taipei — wandering, waiting, pressing the shutter. No posting schedule, no algorithm to feed.
Shooting because it feels necessary, nothing more.
Street photography because it's solitary enough. No models to book, no weather
to chase. Just walking into the city alone, becoming part of the street.
Street photography is a conversation — not with the subject, but with oneself.
Every shutter press is a cross-section of the mind at that moment. The camera doesn't lie. It simply
renders a person back to themselves.
Moments vanish. They never repeat. That's the cruelty of street photography,
and its pull.
What's being chased is emotion — what surfaces on a subject's face, or what
refracts from within the photographer. Emotion has its peak, a moment when it burns brightest. That's
the frame worth finding.
Shooting in black and white — not for the aesthetic, but for the honesty. Strip
away color, and emotion speaks directly.
The rawness of Daido Moriyama. The quietude of Saul Leiter. The gaze of Olga
Karlovac. The silent urban loneliness in Edward Hopper's paintings. Somewhere in that space is what's
being made.
業餘街頭攝影師，一台隨身相機。不定時出沒在台北的街頭，遊蕩，等待，按下快門。沒有固定的發布，沒有需要餵養的演算法。拍照，純粹因為想拍。
喜歡街頭攝影，因為它足夠孤獨。不需要約人，不需要等天氣，只要一個人走進城市裡，讓自己成為街道的一部分。
街頭攝影是一種對話，但對話的對象不是被攝者，而是自己。每一次快門，都是當下內心的切片——照片不會說謊，它只是誠實地把人還原。
畫面稍縱即逝，卻又永不重複。這是街頭攝影的殘酷，也是它迷人的地方。
追的是情緒——被攝者的，或者，拍攝者自身的折射。而情緒總有它最濃烈的一刻，那一刻值得被定格。
拍黑白，不是因為黑白比較有藝術感，而是黑白更誠實——它剝掉顏色的干擾，讓情緒直接說話。
森山大道的粗礪，Saul Leiter 的靜謐，Olga Karlovac 的凝視；Edward Hopper
畫裡那種都市裡無聲的孤獨。想拍的，大概也是那樣的東西。